The Soviet pavilion at the 1925 Paris International Exposition

The Charnel-House

For those ardent enthusiasts of Soviet avant-garde architecture from the 1920s, whom I suspect account for a great deal of this blog’s readership, my retrospective evaluation of Konstantin Mel’nikov’s famous house in Moscow from a few weeks back may have rubbed some the wrong way. While generally appreciative of the architect’s built and unbuilt legacy, it was decidedly less impressed with the private domestic arrangement he designed for himself. This might not seem all that controversial to those of you who remain unschooled in Soviet architectural esoterica, but when it comes to a structure as iconic as Dom Mel’nikova — a building currently threatened by years of neglect and decay — such an opinion could well be considered anathema. In case this opinion offended any Mel’nikov partisans among you, however, this post is intended to make up for it. Today we’ll review one of his projects that I consider an…

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